Step 5: Create Visual Midrash.
Once you are ready to get started, check out the suggested materials list or feel free to use other materials.
When you are finished, Upload your Visual Midrash with a brief explanation. Your uploaded visual midrash will be added to the gallery below. Feel free to leave comments on other participant’s work, and then sit back and enjoy the creative satisfaction. You may notice some similarities or striking differences. The beauty and meaning is found in the subtle interpretations of the text.
Click on the image to see a larger version of the image.
To leave a a comment on individual midrash click on the title of the piece.
If you’d like to leave general comments about all the visual midrash created leave one in the comments section below.
Turning the knob gently, he
Turning the knob gently, he looked in and saw his daughter fingering herself, lost in her own pleasure free p0rn videos. The sight of his little girl’s fingers sliding effortlessly in and out of her love nest cause an immediate erection free sex videos. Butterflies appeared in his stomach and his knees felt weak as he wondered what she was imagining. His own thoughts were running rampant as he watched her, noticing how large her clit was as she rubbed it furiously hairy bush, reminding him once again how much Etienne reminded him of her mother hairy collection. ABB728019390 порно
The Visual Midrash Gallery
The midrashim illuminate a reflective engagement with the text. The polarities in the imagery are particularly interesting; community vs alientation, anonymity vs identity, connection vs disconnection and embodiement vs disengagement. The preponderence of hands and layered occlusion of shapes suggest multiple themes;
the potential for the divine (ES, Janet), the implication of consumate power (Shai Gluskin), yearnings and stretchings for connection (nancyweiss, rita, nico, steve), the power and vulnerability of anonymity (derech-shalee, dcaaronson) and the consumate layered stance of Nitzavim (wshpall). The imagery takes us full circle back to the text and its call for an embodied engagement: indeed ‘it’ is not ‘in the heavens or in the seas’ but ‘in our hearts and in our lips, to do it.’
l’shana tovah
We might consider the
We might consider the preponderance of both hands and feet. The hands are all open palmed representing receptivity, and surrender. While the feet are all barefoot and, while it may not appear so, active
images pushing deeper
view the gallery to see the way that wshpall’s image provoked new imagery in response.